samstämmig sammstämNing

Tempo, vägg, sättningar – stå upp, sitt ner, två steg till höger, tillbaka igen…
Fånig stämning, playa runt.. söka sättningarna, platserna

… får tempo leker med orden –karaktären – gör tempo – Plötsligt hittar de en samstämmig samstämning, skämt, ofokus, fast så mycket lättare att fokusera på praktiskt, och då kommer karaktärerna.

Väggen er kommin, instängda i rummet, klaustrofobi – mycket trevligt!!
En dag till sen påsk. Låta det växa, vila lite, pausa. Komma tillbaka fokuserad. Mycket ska göras, väggen grundmålas, alla väggarna målas en gång till, golvet…. Justera smågrejer, låsa dörrar, måla lister, flytta, städa, renna….. Renna!!! Skruva, inte bara skruvar, utan karaktärer, skruva fast dem i scenbilden, i sättningen, i bilden!

 

Ingrid


Sį Ljóti; personal enemies?

When my parents came visiting last weekend we had, as usual, a discussion about theatre, and they told me a little story about when I was five years old, going to the theatre (where my dad is working) and seeing a quite bad version of Drottningens Juvelsmycke (Carl Jonas Love Almqvist) over and over and over again. My dad asked me why I wanted to come, and the little girl answered; “I like to watch them”.

 

Last week I sat just outside the rehearsal room, on the big carpet in Smišaverkstęšinn, and wrote an application for a school, it took almost a week of stress and nervosity, but during that week I got company by one or two of the actors, at least once a day. They came out, sat down and took a brake from the heavy discussions and sometimes arguments. They explain it like the script it self is sucking them in, it have its own will. They are trying to find their way through it, and trying to make the script and the characters theirs... but the script really doesn’t allow any freedom. The play have been growing individually in their heads since fall, when we had two weeks of reading the play, and now they are trying to understand not just the script but each others pictures of the script as well. And then with a script that has its own will on top of that, I can understand that they feel helpless sometimes.

 Not being five anymore, but 25, still sitting and still enjoying watching them, have maybe brought another perspective into the interest of watching, it may sound strange, but the arguments and seeing what the arguments are leading, is for me really interesting, I might not have seen it when I was five, but I think this play is in a way born in the complexity of helplessness and frustration. And I don’t say that I don’t feel sorry for the actors, I can see that it really affects them, and they get very tired, but as the one sitting watching, I can see that this is really going somewhere, the play force them to get personal and they can’t hide behind anything but themselves, they are forced to be vulnerable. And that is fascinating! This play doesn’t allow any lies; it is honest in its surrealness. I think that we all have many me’s inside us, we could be any me and sometimes become our owns worst enemy, I mean to one level narcissus exist in all of us.

I see the arguments and discussions as something very positive, it creates something that is going to be seen later, an honesty. And like Erland Josephson said to Ingmar Bergman when his wife died and he was grieving that he might not ever see her again; “Bejaka det då!” (Recognize that feeling and use it!) I think that is exactly what the actors in a way are doing (even if they are forced in to it); they are taking it in and are using it! And they go personal with their many me’s!

Ingrid

Hver er Reza?

Alliance franēaise stendur fyrir kynningu į franska leikskįldinu Yasminu Reza föstudaginn 22. febrśar kl. 18:00 ķ hśsnęši Alliance franēaise viš Tryggvagötu 8. Yfirskrift kynningarinnar er „Hvers vegna hlęr fólk į leikriti sem heitir Vķgagušinn?“ Kynningin er öllum opin og tekur dagskrįin um klukkustund.

Vķgagušinn, sem var frumsżnt ķ Sviss fyrir rśmu įri, er nżjasta leikrit Yasminu Reza, en hśn er eitt allravinsęlasta leikskįld samtķmans. Verk hennar hafa į undanförnum įrum veriš leikin śt um allan heim, en fręgasta leikrit hennar er Listaverkiš, «Art», frį 1994 sem sló ķ gegn į Ķslandi ķ uppsetningu Žjóšleikhśssins įriš 1997. Yasmina Reza hefur fengiš Laurence Olivier-veršlaunin ķ Bretlandi, Tony-veršlaunin ķ Bandarķkjunum og oftar en einu sinni Moličre-veršlaunin ķ Frakklandi.
 
Reza hefur einnig sent frį sér bękur af żmsu tagi. Nżjasta bók hennar fjallar um forseta Frakklands sem hefur heldur betur veriš ķ svišsljósinu aš undanförnu en Reza fylgdi hinum umtalaša Nicolas Sarcozy eftir žegar hann hįši kosningabarįttu viš Ségoline Royale ķ haust.
 
Į kynningunni mun Melkorka Tekla Ólafsdóttir, leikstjóri sżningarinnar ķ Žjóšleikhśsinu, sem hlaut menntun sķna ķ Parķs, fjalla um Yasminu Reza og leikverk hennar. Ķ lok kynningarinnar bżšur franska sendirįšiš upp į léttar veitingar.


The ugly ones!!

 Just talked to Kristrśn, marketing- and pr-boss at the theatre, about this blog, and that I felt ready to start it. But when sitting here it is not that easy as a thought. Write anything she said, anything that pop up in your mind. I dont know if i will do it good.. but i will try:)

There have been so many thoughts about smidaverkstaedinn, and what to do there. The theater had this consept of three productions in one setting, that i was kind of thrown into.... and now we suddenly are starting the last one. For me it feels a little bit like pieces are slowly coming together with this third production; the theatrebar have opened, and things, even if they are small, are happening at Smidaverkstaedinn after the shows, and the thought about a young stage is also getting there when the "ugly ones" (Sį Ljóti) is now taking it over!
And i have to say that i have kept this last one, Sį Ljóti, as my privat favorite. The script is amasingly good, there is so much in it, sureal, but so real, and alot of emptyness.
But also that these young, enthusiastic, creative actors and director are coming in with their ideas, their thoughts about what theatre is and should be about! I like it!

I just like it!

Ingrid


Roknavištökur Vķgagušsins

Leikritiš Vķgagušinn sem sżnt er į Smķšaverkstęšinu um žessar mundir hefur fengiš fķna dóma hjį gagnrżnendum og įhorfendum. Sei sei jį!

Śr umfjöllun um sżninguna:


“Leikhśsinu til sóma... Eitt af žremur bestu leikverkunum į stórhöfušborgarsvęšinu segir Jón Višar”. (Forsķša DV 28/1) “...leikararnir...eiginlega hver öšrum betri”. (Jón Višar Jónsson, DV 28/1)


“Samręšurnar eru firnavel skrifašar og afhjśpa persónurnar skemmtilega… Žau eru frįbęr, öll fjögur … Žetta er hörkugóš sżning sem allir foreldrar munu njóta ķ botn!” (Silja Ašalsteinsdóttir, tmm.is, 3/2).

vigagušinn

 “Litlu smįborgaralegu hjónin eru varla byrjuš aš tala žegar salurinn fer aš veltast um af hlįtri… Žórunn Lįrusdóttir…įtti salinn, hśn kann aš teygja sig milli horna ķ heilu leikhśsi og leggja hvern fermetra undir sig… handrit Yasminu Reza er skemmtilegt… mörg hlęgileg atvik og smellin tilsvör sem kitla hlįturtaugarnar…” (Elķsabet Brekkan, Fréttablašiš 29/1) 

vigagud_baldur
“Baldur Trausti er stjarna sżningarinnar…brįšfyndinn, reišur, kraftmikill, markmišavęddur, óforskammašur og skemmtilegur… Žaš er vel aš žessu verki stašiš, höfundurinn er žekktur, verkiš gott, leikstjórinn veldur leikurunum sķnum vel og žaš skilar sér til įhorfenda ķ įnęgjulegri kvöldstund”. (Börkur Gunnarsson, Višskiptablašiš, 1./2).


“…ęsispennandi įflog rįndżra žar sem žaš breytist stöšugt hver hefur yfirhöndina... Ég hef ekki įšur séš Eddu Björg Eyjólfsdóttur ķ sambęrilegu hlutverki, en hśn komst mjög vel frį žvķ. Hśmorinn komst vel til skila...” (Arndķs Žórarinsdóttir, 24 stundir 6/2)

“Yasmina Reza skrifar sįlfręšileg samtöl af eitrušum hśmor og oršfimi sem afhjśpa haglega teiknašar persónur... Žórunn Lįrusdóttir į oft og tķšum stórleik”. (Marķa Kristjįnsdóttir, Morgunblašiš 27/1)
“Frišrik leysti žetta snöfurlega og uppskar mikinn hlįtur hjį įhorfendum… Vķgagušinn er skemmtileg sżning og umhugsunarverš”. (Žorgeršur Elķn Siguršardóttir, Vķšsjį/RŚV 28/1)


Bullandi leikhśs

Žaš vęri kannski vert aš fį einhvern meš dramatķska taug til žess aš greina hasarinn ķ pólitķkinni sķšustu daga. Žaš hefur sannast svo ekki sé um villst aš žaš er stutt milli stjórnmįlanna og leikhśssins.

Žś komst mjög illa fram viš žennan hamstur!

IMG_7562

Įhorfendur į Smķšaverkstęšinu voru  upp til hópa afar brosmildir ķ kvöld aš lokinni seinni forsżningunni į leikritinu Vķgagušinn. Verkiš veršur frumsżnt nk. föstudagskvöld en žaš sannašist berlega nś įšan aš žarna er į feršinni krassandi stykki sem kitlar hlįturtaugarnar verulega.

Višfangsefni verksins eru žó grafalvarleg, žar er barist ķ žįgu sišmenningarinnar, rökrętt um uppeldismįl og ofbeldi auk žess sem persónurnar takast hatrammlega į um hjónabandiš og dęma hvert annaš miskunnarlaust. Af žessu mį sko hafa heljarmikiš gaman.

Viš hvetjum alla sem vettlingi geta valdiš aš kynna sér žetta skemmtilega verk. Um žaš mį t.d. fręšast hér


Hvaš er žetta Smķšaverkstęši?

Framhliš ŽH 

Eins og nafniš ber til kynna er Smķšaverkstęšiš fyrrum trésmķšaverkstęši Žjóšleikhśssins žar sem leikmyndir voru smķšašar ķ eina tķš. Smķšaverkstęšiš er nś eitt af fimm svišum hśssins og er stašsett ķ kjallara ašalbyggingarinnar fögru viš Hverfisgötu.

Hér eru upplżsingar um svišiš sem fengnar eru af heimasķšu Fręšsludeildar Žjóšleikhśssins:
 
Ķ lok įrs 1991 žegar leikmyndasmķšin hafši veriš flutt śr hśsinu hófust framkvęmdir viš nżtt leiksviš Žjóšleikhśssins. Löngu var oršiš tķmabęrt aš Žjóšleikhśsiš hefši yfir aš rįša öšru leiksviši sem vęri minna og óhefšbundnara ķ snišum en stóri salurinn. Ķ smęrra rżmi veršur nįlęgšin viš įhorfendur önnur, įherslur ķ leik og efnistökum eru sömuleišis ólķkar og oft er mögulegt aš stunda įręšna tilraunastarfsemi į minni svišum; gefa nżjum höfundum og listamönnum tękifęri į aš spreyta sig. 
Fyrsta frumsżning į Smķšaverkstęšinu var leikgerš Hįvars Sigurjónssonar į verki Vigdķsar Grķmsdóttur Ég heiti Ķsbjörg ég er ljón ķ janśar 1992. Mešal vinsęlla verka sem sżnd hafa veriš į leiksvišinu sķšan žį eru: Sannar sögur af sįlarlķfi systra, Stręti, Taktu lagiš Lóa, Meš fulla vasa af grjóti,  Veislan og Karķus og Baktus. 

Smķšaverkstęšiš tekur frį 110 upp ķ 160 įhorfendur allt eftir žvķ hvernig sętaskipan er ķ salnum. Leikrżmiš er žeim kostum bśiš aš hęgt er aš skipa žvķ nišur eftir žvķ hvaš hentar hverju leikverki fyrir sig. Žannig er hęgt aš leika eftir salnum žvert og endilangt, meš įhorfendur sér til sitt hvorrar handar eša beint; eša į skį og žannig skapa fyrir įhorfandan ętķš nżja nįlęgš viš leikarann. Nįlęgš žar sem hver hreyfing, hvert svipbrigši fer aš skipta mįli.
 
Fyrsti leiksvišsstjóri Smķšaverkstęšisins var Gķsli Įrnason. Nśverandi umsjónarmašur Smķšaverstęšisins er Ingrid Alering en starf hennar felur ķ sér alla almenna umsjón meš leiksvišinu įsamt sżningarstjórn.


Mįl mįlanna

Viš vekjum athygli į žvķ aš į žessari sķšu veršur lķkast til bloggaš į nokkrum tungumįlum žar sem ašstandendur sķšunnar eru ekki ašeins ķslenskumęlandi heldur tjį sig į fjölžjóšlegri tungum. Hér mun žvķ t.d. ensku og sęnsku bregša fyrir sem vonandi mun ekki vefjast fyrir neinum.

Velkomin į Smķšaverkstęšiš

 

Veriš velkomin į bloggsķšu Smķšaverkstęšisins. Hér er vettvangur fyrir starfsfólk og ašstandendur sżninga į Smķšaverkstęšinu til žess aš tjį sig og kynna og er žaš von okkar aš sem flestir njóti góšs af žvķ.

vigagud

Žaš eru spennandi tķmar framundan į Smķšaverkstęšinu sem žennan veturinn er sérstaklega helgaš erlendri samtķmaleikritun. Leikįriš hófst meš sżningum į verkinu Konan įšur eftir žżska leikskįldiš Roland Schimmelpfennig en n.k. föstudag er komiš aš nęstu frumsżningu, žį kynnast ķslenskir įhorfendur enn einum gullmolandum śr smišju franska leikskįldsins Yasminu Reza, Vķgagušinum, sem jafnframt er hennar allra nżjasta verk. Žrišja stykkiš žetta įriš veršur sķšan leikritiš Sį ljóti eftir Marius von Mayenburg sem fer į fjalirnar ķ aprķl.

 

Svo fylgist meš, hér verša fréttir, myndir, skśbb og hugleišingar um allt žaš sem skiptir mįli enda starfar leikhśsiš į öllum svišum lķfsins.

m.kv.

-Kristrśn Heiša, kynningarstjóri. 

 


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